Updated: Oct 18, 2021
It’s time to dive into how to write suspense novels, how to fix tension in your plots, and how to craft characters worth rooting for. In the next few weeks I’ll be focusing on one of the aspects below in the “what you’ll need” section.
What you’ll need:
- A few specific character archetypes
- A strict timeline to heighten the stakes
- A few helpful points of view (POVs)
- An incredibly strong reason for your main character (MC) to be involved
- A strong motive for your antagonist
We’ll start with the character archetypes.
The Hero
In order to write a suspense novel, your main character (let’s call them your Hero) needs to have a pretty solid skillset. Generally, you’ll want them to come from a background as a private investigator, detective, professional body guard, military, or some other reason that justifies their skillset.
That skillset should probably include weaponry, lock-picking (or some other way to get into places they “shouldn’t” have access to, such as access to warrants), and some sort of martial arts.
Granted, your Hero doesn’t have to have those skills, they could be more mentally focused, observant, or great at puzzles and chess.
The Assistant
Whichever you choose for your Hero to be focused on, you’ll need them to have an Assistant type of character. This is the Watson to your Holmes, the Ron Stoppable to your Kim Possible. Whatever your Hero is good at this Assistant likely isn’t. They need to compliment each other so that together, as a team, they can take down the villain.
This is vital to the story because if these two get separated, they can’t win. That becomes a good goal for your villain and can help raise the stakes—but I’m getting ahead of myself.
Your Assistant is often shown as the “Guy in the Chair” (thanks Spiderman), and they provide access or information the Hero can’t get to on their own without their Assistant’s help. They could also be their partner on the police force or just a really good family friend who helps your Hero survive the ordeal of the suspense novel.
The Villain
As rule, your Villain should want the opposite of what your Hero wants. This will lead to natural conflict. If your Hero is of the brainy variety, it could be good to have a Villain of the brute force variety. If your Hero is of the brute force mentality, the Villain should consistently outsmart them.
It is possible to end up with both a Hero and a Villain that have similar skillsets, and that can create a lot of intrigue. If you’re going to do this, though, the Villain’s motivation should be extremely clear and extremely different from the Hero’s.
The fun part of a suspense novel comes in when the Villain intentionally targets the Hero. (Again, this doesn’t have to happen. The Hero can be pulled in at random, the detective assigned to the job, the private investigator hired to find and save the Leverage [we’ll get to them in a moment]. But it’s really fun when the Hero’s been specifically targeted. They’re immediately pulled into the riptide of the Villain’s plan. And, again, I’m getting ahead of myself. More on that later.)
Your Villain controls the pace of the story. They can speed up or slow down the timeline. They can change the deadline they gave the Hero. They are the one who makes everything worse for the Hero. Because of this, they have to be a worthy opponent for your Hero, or it won’t be believable and people won’t read the book.
The Leverage
Lastly, you’ll need leverage. This is the answer to the question, “What’s at stake if my Hero fails?” Your Leverage can look like a hostage situation (this is probably my personal favorite) or it can look like a bomb threat, an international incident, or chemical warfare. This Leverage will force the Hero into the game, whether or not they want to play.
I love the possibilities that come with hostage situations in fiction because they allow me to create a specific threat to someone the Hero cares about. Love is a powerful emotion and can create a blindness and a recklessness, pushing characters to do things they wouldn’t normally do.
Your Leverage should be at the mercy of the Villain and connected strongly enough to the Hero to drag them into the game. It doesn’t hurt if the Leverage is also connected to the Assistant, but it’s not as vital.
With these four character archetypes you’ll be able to create the plot elements of a suspense novel with no problem. Once you master these, you can play by mixing them up. Add two villains, pull the Hero in opposite directions, create a villain so intense it takes many Heroes to take them down, create a team of support Assistants around the Hero, play around with different types of Leverage.
You can shuffle their roles as long as you have one of each. You can even merge roles. There’s nothing stopping you from making the Assistant the Villain. Their motive would just have to be believable.
Stay tuned for next week’s post on how a strict timeline creates suspense and why it’s vital to suspense novels, as well as how a deadline can help raise the stakes.
J. J. Hanna is a writer and reader from Colorado. She loves suspense stories above all else, and is currently working on a debut novel of her own. When she’s not writing, you can find her making YouTube videos and Online Courses about the publishing industry. Go find her on social media @authorjjhanna and @jjhannaacademy to keep track of her most recent reads, current adventures, and to get the most up-to-date news on all things publishing. She also runs a freelance marketing business to help authors achieve their own goals. Learn more or hire her at Hanna Book Solutions.
J. J. Hanna, Author 